介绍达芬奇的英语作文？中文翻译：列昂纳多·达·芬奇 注意：港台译作达文西 英文原名：Leonardo Di Ser Piero Da Vinci 在世时间：1452年4月15日－1519年5月2日 注意：达·芬奇并不是姓，而是表示芬奇镇出身之意，那么，介绍达芬奇的英语作文？一起来了解一下吧。
Leonardo di ser Piero da Vinci (pronunciation (help·info)), April 15, 1452 – May 2, 1519) was a prominent Italian polymath: scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, musician and writer.
The illegitimate son of a notary, Messer Piero, and a peasant girl, Caterina, Leonardo had no surname in the modern sense, "da Vinci" simply meaning "of Vinci": his full birth name was "Leonardo di ser Piero da Vinci", meaning "Leonardo, son of (Mes)ser Piero from Vinci."
Leonardo has often been described as the archetype of the "Renaissance man" or universal genius, a man whose seemingly infinite curiosity was equalled only by his powers of invention. He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived.[2]
It is primarily as a painter that Leonardo was and is renowned. Two of his works, the Mona Lisa and The Last Supper occupy unique positions as the most famous, most reproduced and most imitated portrait and religious painting of all time, their fame approached only by Michelangelo's Creation of Adam. Leonardo's drawing of the Vitruvian Man is also iconic. Perhaps fifteen paintings survive, the small number due to his constant, and frequently disastrous, experimentation with new techniques, and his chronic procrastination.[3] Nevertheless these few works, together with his notebooks, which contain drawings, scientific diagrams, and his thoughts on the nature of painting, comprise an unmatched contribution to later generations of artists.
As an engineer, Leonardo conceived ideas vastly ahead of his own time, conceptualising a helicopter, a tank, concentrated solar power, a calculator, and the double hull, and outlining a rudimentary theory of plate tectonics. Relatively few of his designs were constructed or even feasible during his lifetime,[4] but some of his smaller inventions such as an automated bobbin winder and a machine for testing the tensile strength of wire entered the world of manufacturing unheralded. As a scientist, he greatly advanced the state of knowledge in the fields of anatomy, civil engineering, optics, and hydrodynamics.
Leonardo da Vinci (April 15, 1452 - May 2, 1519) was an Italian Renaissance architect, musician, anatomist, inventor, engineer, sculptor, geometer, and painter. He has been described as the archetype of the "Renaissance man" and as a universal genius. Leonardo is famous for his masterly paintings, such as The Last Supper and Mona Lisa. He is also known for designing many inventions that anticipated modern technology, although few of these designs were constructed in his lifetime. In addition, he helped advance the study of anatomy, astronomy, and civil engineering. Renaissance humanism saw no mutually exclusive polarities between sciences and arts.
莱昂纳多·达·芬奇(1452年4月15日- 1519年5月2日)是意大利文艺复兴时期的建筑师、音乐家、解剖学家、发明家、工程师、雕刻家、几何学者和画闭轮皮家。
Leonardo da Vinci (1452-1519), an Italia Renaissance artist, nature scientist, engineer and the founder of mechanics theory, made the impressive contributions to the forming of classical hydraulics and fluid mechanics.Da Vinci's philosophy idea is near to materialism. He thought that everything in the world must obey the objective nature rules, knowledge came from sentience and it was important to do theory generalization. He emphasized that mathematics and mechanics were the basis of nature science. He also had many great fancies and discoveries on military affairs, water-conservancy, civil engineering and mechanical engineering Da Vinci's mechanics research work was not only theoretic. He also designed lots of machines and appliances with the principles of mechanics and mechanical engineering. He took part in the design and construction of canals, water conservancy and architectural engineering. Based on the study of bird wings motion, he schemed out an aircraft in 1493 for the first time.Da Vinci had quite a lot of rare manuscripts on hydraulics, which was published as Water Motion and Survey after he died.
（LEONARDO DA VINCI）(1452-1519)
He is universally recognized arts master and great scientist.
15 April 1452 According to sunrise in Italy and Central Florence near Fenqi City (Vinci), and spent his childhood there. 1469, he came to Florence and apprenticeship in Verrocchio's studio. 1472, entered in the painter Association.
In the arts, he is a special emphasis on painting and sculpture experts but, he said : "毁族橘纤团Drawing is natural daughter. "
Ghana is the most familiar he is the world of high art paintings, the most famous works are : "Mona Lisa," the "穗弊last supper", "Rock - Virgin Mary with the Virgin Mary," "Santa Ana son."
In science, he observed celestial bodies, has written : "The sun is not changed. "Almost simultaneously with Copernicus discovered" Solar Center "; He studied the scientific principles of flight, designing and manufacturing the first vehicle; He had more than 30 autopsy bodies into body structures and the first discovered the baby in its mother's growth process. He once said : "You may be the natural result of the smell kept aloof. . . . . . You may also lack patience and hard enough, I had not been in such poor avarice or impeded only hinder my time enough. "
Italian painter, draftsman, sculptor, architect, and engineer whose genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. His Last Supper (1495–98) and Mona Lisa (c. 1503–06) are among the most widely popular and influential paintings of the Renaissance. His notebooks reveal a spirit of scientific inquiry and a mechanical inventiveness that were centuries ahead of their time.
The unique fame that Leonardo enjoyed in his lifetime and that, filtered by historical criticism, has remained undimmed to the present day rests largely on his unlimited desire for knowledge, which guided all his thinking and behaviour. An artist by disposition and endowment, he considered his eyes to be his main avenue to knowledge; to Leonardo, sight was man's highest sense because it alone conveyed the facts of experience immediately, correctly, and with certainty. Hence, every phenomenon perceived became an object of knowledge, and saper vedere (“knowing how to see”) became the great theme of his studies. He applied his creativity to every realm in which graphic representation is used: he was a painter, sculptor, architect, and engineer. But he went even beyond that. He used his superb intellect, unusual powers of observation, and mastery of the art of drawing to study nature itself, a line of inquiry that allowed his dual pursuits of art and science to flourish.
Leonardo's parents were unmarried at the time of his birth. His father, Ser Piero, was a Florentine notary and landlord, and his mother, Caterina, was a young peasant woman who shortly thereafter married an artisan. Leonardo grew up on his father's family's estate, where he was treated as a “legitimate” son and received the usual elementary education of that day: reading, writing, and arithmetic. Leonardo did not seriously study Latin, the key language of traditional learning, until much later, when he acquired a working knowledge of it on his own. He also did not apply himself to higher mathematics—advanced geometry and arithmetic—until he was 30 years old, when he began to study it with diligent tenacity.
Leonardo's artistic inclinations must have appeared early. When he was about 15, his father, who enjoyed a high reputation in the Florence community, apprenticed him to artist Andrea del Verrocchio. In Verrocchio's renowned workshop Leonardo received a multifaceted training that included painting and sculpture as well as the technical-mechanical arts. He also worked in the next-door workshop of artist Antonio Pollaiuolo. In 1472 Leonardo was accepted into the painters' guild of Florence, but he remained in his teacher's workshop for five more years, after which time he worked independently in Florence until 1481. There are a great many superb extant pen and pencil drawings from this period, including many technical sketches—for example, pumps, military weapons, mechanical apparatus—that offer evidence of Leonardo's interest in and knowledge of technical matters even at the outset of his career.
In 1482 Leonardo moved to Milan to work in the service of the city's duke—a surprising step when one realizes that the 30-year-old artist had just received his first substantial commissions from his native city of Florence: the unfinished panel painting The Adoration of the Magi for the monastery of San Donato a Scopeto and an altar painting for the St. Bernard Chapel in the Palazzo della Signoria, which was never begun. That he gave up both projects seems to indicate that he had deeper reasons for leaving Florence. It may have been that the rather sophisticated spirit of Neoplatonism prevailing in the Florence of the Medici went against the grain of Leonardo's experience-oriented mind and that the more strict, academic atmosphere of Milan attracted him. Moreover, he was no doubt enticed by Duke Ludovico Sforza's brilliant court and the meaningful projects awaiting him there.
Leonardo spent 17 years in Milan, until Ludovico's fall from power in 1499. He was listed in the register of the royal household as pictor et ingeniarius ducalis (“painter and engineer of the duke”). Leonardo's gracious but reserved personality and elegant bearing were well-received in court circles. Highly esteemed, he was constantly kept busy as a painter and sculptor and as a designer of court festivals. He was also frequently consulted as a technical adviser in the fields of architecture, fortifications, and military matters, and he served as a hydraulic and mechanical engineer. As he would throughout his life, Leonardo set boundless goals for himself; if one traces the outlines of his work for this period, or for his life as a whole, one is tempted to call it a grandiose “unfinished symphony.”
As a painter, Leonardo completed six works in the 17 years in Milan. (According to contemporary sources, Leonardo was commissioned to create three more pictures, but these works have since disappeared or were never done.) From about 1483–86, he worked on the altar painting The Virgin of the Rocks, a project that led to 10 years of litigation between the Confraternity of the Immaculate Conception, who commissioned it, and Leonardo; for uncertain purposes, this legal dispute led Leonardo to create another version of the work in about 1508. During this first Milanese period he also made one of his most famous works, the monumental wall painting The Last Supper (1495–98) in the refectory of the monastery of Santa Maria delle Grazie (for more analysis of this work, see section The Last Supper, below). Also of note is the decorative ceiling painting (1498) he made for the Sala delle Asse in the Milan Castello Sforzesco.
During this period Leonardo worked on a grandiose sculptural project that seems to have been the real reason he was invited to Milan: a monumental equestrian statue in bronze to be erected in honour of Francesco Sforza, the founder of the Sforza dynasty. Leonardo devoted 12 years—with interruptions—to this task. In 1493 the clay model of the horse was put on public display on the occasion of the marriage of Emperor Maximilian to Bianca Maria Sforza, and preparations were made to cast the colossal figure, which was to be 16 feet (5 metres) high. But, because of the imminent danger of war, the metal, ready to be poured, was used to make cannons instead, causing the project to come to a halt. Ludovico's fall in 1499 sealed the fate of this abortive undertaking, which was perhaps the grandest concept of a monument in the 15th century. The ensuing war left the clay model a heap of ruins.
As a master artist Leonardo maintained an extensive workshop in Milan, employing apprentices and students. Among Leonardo's pupils at this time were Giovanni Antonio Boltraffio, Ambrogio de Predis, Bernardino de' Conti, Francesco Napoletano, Andrea Solari, Marco d'Oggiono, and Salai. The role of most of these associates is unclear, leading to the question of Leonardo's so-called apocryphal works, on which the master collaborated with his assistants. Scholars have been unable to agree in their attributions of these works.
以上就是介绍达芬奇的英语作文的全部内容，中文简介：达·芬奇 ，（1452年4月15日—1519年5月2日），欧洲文艺复兴时期的著名人物，博学家意大利著名画家、科学家，与拉斐尔、米开朗基罗并称意大利文艺复兴三杰，也是整个欧洲文艺复兴时期的代表之一。他学识渊博、。
